• Print Pieces

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    Flight Pattern Feature

    Feature for CBC Arts

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    Aszure Barton Interview

    Feature for CBC Arts

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    Christopher Wheeldon Interview

    Feature for CBC Arts

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    Reflections, Reviews, and Revelations on Alvin Ailey

    Artist Perspective for Intermission Magazine

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    Nationalism at the ballet? On mounting a very Canadian Swan Lake

    Feature for CBC Arts

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    What does a dance about blindness look like?

    Feature for CBC Arts

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    RUTAS Festival for Aluna Theatre

    Feature for Intermission Magazine

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    Guillaume Coté keeps his fire alive with Burn Baby, Burn

    Feature for the CBC

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    Richard II at the Stratford Festival

    Review for Intermission Magazine

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    Why You Should Go to the Ballet with National Ballet of Canada

    Artist Perspective for Intermission Magazine

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    Toronto Dance Theatre centres communitry and new voices

    Feature for Intermission Magazine

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    Miigis: Underwater Panther at Canadian Stage

    Review for Intermission Magazine

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    X (DIX) at Crow's Theatre

    Review for Intermission Magazine

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    Akram Khan's jungle book...reimagined at Canadian Stage

    Review for Intermission Magazine

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    Convergent Divergency at Toronto Dance Theatre

    Review for Intermission Magazine

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    Singin' in the Rain at Mirvish

    Review for Intermission Magazine

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    X and da Spirit at Theatre Passe Muraille

    Review for Intermission Magazine

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    welcome, we've been waiting at Toronto Dance Theatre

    Review for Intermission Magazine

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    At the Confluence of Many Worlds: In Conversation with Crypto's Guillaume Côté

    Feature for Intermission Magazine

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    Kamuyot at Fall for Dance North

    Review for The Dance Current

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    The Magic of Assembly at Toronto Dance Theatre

    Review for Intermission Magazine

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    What Dance Can Learn From Theatre

    Artist Perspective for Intermission Magazine

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    L-E-A-K at The Theatre Centre

    Review for Intermission Magazine

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    dance: made in canada / fait au canada Festival

    Review for Intermission Magazine

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    Winter Double Bill at Toronto Dance Theatre

    Review for Intermission Magazine

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    The Choreography Within

    Arts and Letters for smART Magazine

  • About Me

    Martin Austin is a PhD Candidate at University of Toronto’s Centre for Drama, Theatre
    and Performance Studies. His in-process dissertation, Dance as an Ethics of Care, explores the question: How can dancing inform new ways of living a more ethical life? Martin approaches this inquiry by conversing the queer aesthetic philosophies of Michel Foucault, Giorgio Agamben, and Leo Bersani with the ethnographic contributions of working dance artists. By considering dance’s capacity to bring forth poiesis, practice, and community, Martin’s work aims to provide meaningful interventions into current conversations on risk, consent, and being in the world with others. His research can be found in the 2024 special issue for Performance Research, “On Sadness”.


    Outside of academia, Martin is a regular writer for the CBC. He has interviewed the likes
    of Christopher Wheeldon and Aszure Barton for his feature articles, which aim
    to highlight the value of dance to Canadian audiences. Martin was previously a
    critic for Intermission Magazine, where he reviewed performances at the Stratford Festival, Canadian Stage, Toronto Dance Theatre, and more.


    Martin also participates in many research initiatives that explore dance’s intersections with technology, science, and community. He is the Research Officer for Beyond the Pose, a New Frontiers in Research Fund grant exploring new methods of representing human motion in machine-learning models. He is the Research Assistant for Category Is:, a SSHRC study investigating anti-Black racism with members of Canada’s kiki ballroom communities. And he is Lead Coordinator for the Institute for Dance Studies, a co-curricular network that supports Canadian dance scholars through events and working groups.

    If you're interested in working together, drop me a message below!

  • Academic Work

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    The Sad Choreography of Systemic Misconduct, From Cause to Affect

     

    Performance Research, vol. 28, no. 5, 20 Apr. 2024, pp. 81–87. On Sadness (institutional access required)

  • Education

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    University of Toronto

    Masters of Arts (MA) 2021-2022

    Doctor of Philosophy (PhD) 2022-

    Drama, Theatre, and Performance Studies

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    Fordham University

    Bachelor of Fine Arts (BFA) 2016-2020

    Dance and English

  • Reach Out